As a reminder, the Oscars are on ONE HOUR EARLIER this 12 months, which is a deal with for everybody! Get able to roll as much as your TV/laptop computer to bitch about/take pleasure in this entire extravaganza on March 1oth. Let’s get into it, as a result of rather a lot was occurring this 12 months.
Greatest Image
American Fiction (Ben LeClair, Nikos Karamigios, Twine Jefferson and Jermaine Johnson, Producers)
Anatomy of a Fall (Marie-Ange Luciani and David Thion, Producers)
Barbie (David Heyman, Margot Robbie, Tom Ackerley and Robbie Brenner, Producers)
The Holdovers (Mark Johnson, Producer)
Killers of the Flower Moon (Dan Friedkin, Bradley Thomas, Martin Scorsese and Daniel Lupi, Producers)
Maestro (Bradley Cooper, Steven Spielberg, Fred Berner, Amy Durning and Kristie Macosko Krieger, Producers)
Oppenheimer (Emma Thomas, Charles Roven and Christopher Nolan, Producers)
Previous Lives (David Hinojosa, Christine Vachon and Pamela Koffler, Producers)
Poor Issues (Ed Guiney, Andrew Lowe, Yorgos Lanthimos and Emma Stone, Producers)
The Zone of Curiosity (James Wilson, Producer)
The Hollywood Reporter jogged my memory this morning that “The 2024 Oscars are the primary during which movies must meet two of four representation and inclusion standards so as to be eligible for the highest prize of finest image.”
Greatest Directing
Justine Triet (Anatomy of a Fall)
Martin Scorsese (Killers of the Flower Moon)
Christopher Nolan (Oppenheimer)
Yorgos Lanthimos (Poor Issues)
Jonathan Glazer (The Zone of Curiosity)
Marty is now the most-nominated residing director and I’m certain he’s thrilled; that was a no brainer. The large snub right here is Greta Gerwig, clearly.
Greatest Actor in a Main Position
Bradley Cooper (Maestro)
Colman Domingo (Rustin)
Paul Giamatti (The Holdovers)
Cillian Murphy (Oppenheimer)
Jeffrey Wright (American Fiction)
Appears like this one is between Murphy and Giamatti and possibly Jeffrey Wright however I’m extraordinarily excited to see what Colman Domingo wears. I forgot Leo was left off the listing till I acquired like ten textual content information alerts about this snub. He’s superb, you guys! (My sizzling take is that Leo ought to take a task in a comedy and provides us all a recent have a look at him. He might be humorous when he desires; see Wolf of Wall Avenue.)
Greatest Actress in a Main Position
Annette Bening (Nyad)
Lily Gladstone (Killers of the Flower Moon)
Sandra Hüller (Anatomy of a Fall)
Carey Mulligan (Maestro)
Emma Stone (Poor Issues)
Huge snub right here in fact is the absence of Margot Robbie; having mentioned that, this was at all times between Emma Stone and Lily Gladstone, who’s the primary Native American to be nominated in an performing class. (Margot did get a producing nomination, so she can be there, anyway.) Nyad did properly with Academy voters.
Greatest Actor in a Supporting Position
Sterling Okay. Brown (American Fiction)
Robert De Niro (Killers of the Flower Moon)
Robert Downey Jr. (Oppenheimer)
Ryan Gosling (Barbie)
Mark Ruffalo (Poor Issues)
I knew Charles Melton was toast when he didn’t get a SAG nomination and that could be a disgrace; he’s nice in Might December, and I really feel like De Niro in all probability simply acquired rubber-stamped into this. Having mentioned that: This looks like RDJ’s to lose.
Greatest Actress in a Supporting Position
Emily Blunt (Oppenheimer)
Danielle Brooks (The Shade Purple)
America Ferrera (Barbie)
Jodie Foster (Nyad)
Da’Vine Pleasure Randolph (The Holdovers)
This class is historically far and wide and lo, right here we’re once more! America Ferrera is a shock. I’m thrilled for Danielle Brooks. And, in fact, I hope Da’Vine Pleasure Randolph continues her run and takes this one too.
Greatest Writing (Tailored Screenplay)
American Fiction (Written for the display screen by Twine Jefferson)
Barbie (Written by Greta Gerwig & Noah Baumbach)
Oppenheimer (Written for the display screen by Christopher Nolan)
Poor Issues (Screenplay by Tony McNamara)
The Zone of Curiosity (Written by Jonathan Glazer)
That is, in fact, Greta’s comfort prize for not getting the Directing nod. I think Nolan will take this, although? (I’ve points with the pacing of that movie, although I truly thought it was glorious.)
Greatest Writing (Authentic Screenplay)
Anatomy of a Fall (Screenplay by Justine Triet and Arthur Harari)
The Holdovers (Written by David Hemingson)
Maestro (Written by Bradley Cooper & Josh Singer)
Might December (Screenplay by Samy Burch; Story by Samy Burch & Alex Mechanik)
Previous Lives (Written by Celine Tune)
Greatest Animated Characteristic
The Boy and the Heron (Hayao Miyazaki and Toshio Suzuki)
Elemental (Peter Sohn and Denise Ream)
Nimona (Nick Bruno, Troy Quane, Karen Ryan and Julie Zackary)
Robotic Desires (Pablo Berger, Ibon Cormenzana, Ignasi Estapé and Sandra Tapia Díaz)
Spider-Man: Throughout the Spider-Verse (Kemp Powers, Justin Okay. Thompson, Phil Lord, Christopher Miller and Amy Pascal)
Greatest Documentary Characteristic Movie
Bobi Wine: The Folks’s President (Moses Bwayo, Christopher Sharp and John Battsek)
The Everlasting Reminiscence (Nominees to be decided)
4 Daughters (Kaouther Ben Hania and Nadim Cheikhrouha)
To Kill a Tiger (Nisha Pahuja, Cornelia Principe and David Oppenheim)
20 Days in Mariupol (Mstyslav Chernov, Michelle Mizner and Raney Aronson-Rath)
Greatest Worldwide Characteristic Movie
Io Capitano (Italy)
Good Days (Japan)
Society of the Snow (Spain)
The Trainer’s Lounge (Germany)
The Zone of Curiosity (United Kingdom)
Greatest Animated Quick Movie
Letter to a Pig (Tal Kantor and Amit R. Gicelter)
Ninety-5 Senses (Jerusha Hess and Jared Hess)
Our Uniform (Yegane Moghaddam)
Pachyderme (Stéphanie Clément and Marc Rius)
Struggle Is Over! Impressed by the Music of John & Yoko (Dave Mullins and Brad Booker)
Greatest Dwell-Motion Quick Movie
The After (Misan Harriman and Nicky Bentham)
Invincible (Vincent René-Lortie and Samuel Caron)
Knight of Fortune (Lasse Lyskjaer Noer and Christian Norlyk)
Pink, White and Blue (Nazrin Choudhury and Sara McFarlane)
The Great Story of Henry Sugar (Wes Anderson and Steven Rales)
Greatest Documentary Quick Movie
The ABCs of Ebook Banning (Sheila Nevins and Trish Adlesic)
The Barber of Little Rock (John Hoffman and Christine Turner)
Island in Between (S. Leo Chiang and Jean Tsien)
The Final Restore Store (Ben Proudfoot and Kris Bowers)
Nǎi Nai & Wài Pó (Sean Wang and Sam Davis)
Greatest Cinematography
El Conde (Edward Lachman)
Killers of the Flower Moon (Rodrigo Prieto)
Maestro (Matthew Libatique)
Oppenheimer (Hoyte van Hoytema)
Poor Issues (Robbie Ryan)
Greatest Costume Design
Barbie (Jacqueline Durran)
Killers of the Flower Moon (Jacqueline West)
Napoleon (Janty Yates and Dave Crossman)
Oppenheimer (Ellen Mirojnick)
Poor Issues (Holly Waddington)
Greatest Make-up and Hairstyling
Golda (Karen Hartley Thomas, Suzi Battersby and Ashra Kelly-Blue)
Maestro (Kazu Hiro, Kay Georgiou and Lori McCoy-Bell)
Oppenheimer (Luisa Abel)
Poor Issues (Nadia Stacey, Mark Coulier and Josh Weston)
Society of the Snow (Ana López-Puigcerver, David Martí and Montse Ribé)
Greatest Authentic Tune
“The Fireplace Inside” from Flamin’ Sizzling (Music and Lyric by Diane Warren)
“I’m Simply Ken” from Barbie (Music and Lyric by Mark Ronson and Andrew Wyatt)
“It By no means Went Away” from American Symphony (Music and Lyric by Jon Batiste and Dan Wilson)
“Wahzhazhe (A Tune for My Folks)” from Killers of the Flower Moon (Music and Lyric by Scott George)
“What Was I Made For?” from Barbie (Music and Lyric by Billie Eilish and Finneas O’Connell)
That is clearly between the Barbies however in fact Diane Warren is in there.
Greatest Authentic Rating
American Fiction (Laura Karpman)
Indiana Jones and the Dial of Future (John Williams)
Killers of the Flower Moon (Robbie Robertson)
Oppenheimer (Ludwig Göransson)
Poor Issues (Jerskin Fendrix)
Greatest Manufacturing Design
Barbie (Manufacturing Design: Sarah Greenwood; Set Ornament: Katie Spencer)
Killers of the Flower Moon (Manufacturing Design: Jack Fisk; Set Ornament: Adam Willis)
Napoleon (Manufacturing Design: Arthur Max; Set Ornament: Elli Griff)
Oppenheimer (Manufacturing Design: Ruth De Jong; Set Ornament: Claire Kaufman)
Poor Issues (Manufacturing Design: James Value and Shona Heath; Set Ornament: Zsuzsa Mihalek)
Greatest Movie Enhancing
Anatomy of a Fall (Laurent Sénéchal)
The Holdovers (Kevin Tent)
Killers of the Flower Moon (Thelma Schoonmaker)
Oppenheimer (Jennifer Lame)
Poor Issues (Yorgos Mavropsaridis)
Greatest Sound
The Creator (Ian Voigt, Erik Aadahl, Ethan Van der Ryn, Tom Ozanich and Dean Zupancic)
Maestro (Steven A. Morrow, Richard King, Jason Ruder, Tom Ozanich and Dean Zupancic)
Mission: Unattainable — Lifeless Reckoning Half One (Chris Munro, James H. Mather, Chris Burdon and Mark Taylor)
Oppenheimer (Willie Burton, Richard King, Gary A. Rizzo and Kevin O’Connell)
The Zone of Curiosity (Tarn Willers and Johnnie Burn)
Greatest Visible Results
The Creator (Jay Cooper, Ian Comley, Andrew Roberts and Neil Corbould)
Godzilla: Minus One (Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi and Tatsuji Nojima)
Guardians of the Galaxy Vol. 3 (Stephane Ceretti, Alexis Wajsbrot, Man Williams and Theo Bialek)
Mission: Unattainable — Lifeless Reckoning, Half One (Alex Wuttke, Simone Coco, Jeff Sutherland and Neil Corbould)
Napoleon (Charley Henley, Luc-Ewen Martin-Fenouillet, Simone Coco and Neil Corbould)
Focus on! What are your ideas and emotions?! Who do you need to see on the crimson carpet?
(Picture by Gilbert Flores/Selection through Getty Pictures)
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