Zendaya Makes Two Arrivals to the Met Gala Red Carpet

The very first thing you want to know in regards to the black taffeta Givenchy spring 1996 high fashion costume Zendaya wore to make a late (re)entrance on the Met Gala is that it was the second John Galliano design she wore for the occasion. The primary was a customized Maison Margiela couture costume he created particularly for her, which she wore in the beginning of the night.

The second factor you want to find out about that second Galliano costume is that she purchased it.

The third factor you want to know in regards to the costume is that it was initially Look No. 8 of Mr. Galliano’s first Givenchy couture collection, again when the appointment of the upstart Brit on the venerable Parisian home had set all of French vogue into an affronted tizzy.

And the very last thing you want to know is that every one these issues, added collectively at a peak eyeball second, quantity to a significant declaration of independence by Zendaya, and maybe the following step in Mr. Galliano’s return to the bosom of vogue following the documentary “High & Low: John Galliano” and his much lauded January Maison Margiela couture show.

For Zendaya, the look, which was designed the 12 months she was born, nods to the night’s costume code in being classic, uncommon and, with its full skirt and laced-up bodice, recollects the aristocracy of the ancien régime. It additionally represents “an funding in herself,” stated Rita Watnick, the founding father of Lily et Cie, the classic clothes seller in Los Angeles who bought the costume to Zendaya and Law Roach, her “image architect.”

“It says, ‘I’m not an emissary for a model,’” Ms. Watnick went on. “‘I’m my very own emissary.’” That’s fairly a information bulletin at a celebration that has change into, for a lot of manufacturers and celebrities, a quasi-advertising second.

As for Mr. Galliano, his clothes have reappeared on crimson carpets earlier than, however by no means underneath fairly as massive a highlight. (Zendaya additionally wore classic Galliano — a glance from his spring 1998 assortment — to Anna Wintour’s pre-Met dinner.) And whereas he could not have been granted the retrospective exhibition that the Met was rumored to have thought-about, being worn by an especially high-profile co-host of the celebration of the 12 months would be the subsequent neatest thing.